DiCinema

In reference to the rape scene, Catherine Breillat said: "I didn't take an actor to smash the window, but a stuntman. He had to be very, very precise in his gestures. When Anaïs is thrown to the ground, it had to be very precise so that she does not hurt herself. I knew that, for Anaïs, it had to be a game, not a really sexual scene. But I didn't know how to do it. I had invented in the night. I couldn't touch Anaïs. She was only fourteen. We cannot say to ourselves that she is an actress. Major or almost major, she is truly a little girl. Very, very mature from the point of view of thought, but from the point of view of the body, she is a very little girl. There is real responsibility. So there, we are very quickly in the act of pedophilia, very quickly in a scene that becomes criminal. I thought a lot about how to do this scene. You had to cheat. The impression had to be very strong. I wasn't going to have her take off her panties, so there were two. There was a tracking shot. The stuntman threw her to the ground, very gently. After that, the tracking shot got closer. What is violent is that you suddenly see the close-up. We can see his chest, we no longer see the rest of the body. But we receive the bottom of the dress, like that on the face, so we know that the dress is raised. Then my assistant gave the actor, the stuntman, a second pair of panties and he pushed them into her mouth."

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