DiCinema

Cinematographer Gordon Willis initially turned down the opportunity to work on the film, because the production seemed "chaotic" to him. After Willis later accepted the offer, he and Francis Ford Coppola agreed to not use any modern filming devices, helicopters, or zoom lenses. Willis chose to use top-light in the majority of the scenes due to Marlon Brando's eye make-up. He made use of shadows throughout the film and applied sepia tones to several scenes. Willis and Coppola agreed to interplay light and dark scenes throughout the film.

Film

Persone

Nessun dato in archivio

SerieTv

Nessun dato in archivio