Elia Kazan admitted having uneasy feelings about shooting on location near Mafia-operated businesses and hangouts. Local hoods connected to the Cosa Nostra were constantly watching the production from the sidelines and would occasionally intimidate Kazan and his crew. He eventually employed an armed bodyguard, Joe Marotta, the brother of the local chief of police.
Scritto da il 05-03-2025 alle ore 08:36

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Fronte del porto (1954)

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