Although the majority of shots of the Feral Predator were achieved via practical effects, the VFX team, led by Ryan Cook, did provide some digital augmentation. "There was a plan that was set in pre-production and it was executed pretty much exactly," said Alec Gillis. "We do see touches on the face at times, like on a big roar, there's a little shake inside the mouth. That is something that we just can't do. There's also some hand replacement when there's an extreme closeup [of the Feral Predator] feeling the ash in his hand and it's kinda turning to dust. There's a lot of digital work in that. One of the tells is that all the points of movement of the finger are moving. When we do a finger cup with an extension, we lose the last joint. People notice that. So that was always a plan, we're gonna do a digital hand."
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05-03-2025 alle ore 08:43
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