Christopher Challis had just graduated from camera operator to director of photography, having previously worked with Michael Powell, Emeric Pressburger, and Jack Cardiff. However, on hearing that the three would be working together on a film about ballet, he went to them and told them that he would happily revert back to the role of camera operator just for the chance of working with them again.
Scritto da il 05-03-2025 alle ore 09:08

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Scarpette rosse (1948)

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