Kong seems to show a great deal of loneliness, as a result to him losing his parents to the Skullcrawlers at a young age. His eyes well up with tears when Mason Weaver (Brie Larson) gently touches him, and one of the cave paintings depicts him crouching and mourning over the remains of his deceased parents. The producers intentionally designed Kong to have a personality similar to a "teenager orphaned early and forced to assume adult responsibilities", being not yet fully grown, but left to fend for himself. Director Jordan Vogt-Roberts wanted to give the audience insight into Kong's state of mind of him being a lonely and exhausted God lumbering around the island, being its protector but also killing time as he drags himself from place to place. Terry Notary played Kong as a lonely, burdened "fourteen-year-old that's trapped in the life of an adult" who's coming into himself and his role as a protector, driven to uphold his sense of duty by the burden of the loss of his family. Director Jordan Vogt-Roberts also described Kong as an adolescent growing into his role as alpha as he faces the defining battle of his life to claim his rightful place as King of Skull Island.

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