The film joined Toronto's Green-Screen initiative, to help cut carbon emissions and waste created during filming. Hybrid and fuel-efficient vehicles were used, with ultra low sulphur diesel as their energy source. For constructing the sets, the production department used a sustainably-harvested locally-sourced yellow pine, instead of the commonly-used lauan, and afterwards, the wood was either recycled, or given to environmental organizations. Paints with no or low volatile organic compounds were used, and paint cans were handed to waste management. A contractor was on-set to remove bins. Environmentally-friendly items used on the set included cloth bags, biodegradable food containers, china, and silverware food utensils, recycled paper, biodegradable soap, and cleaners, rechargeable batteries, and stainless steel mugs (one for each production member). Gale Anne Hurd hoped the film will be a symbol of the drive to encourage less pollution from film productions.

Film

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