Wendy Carlos' score was recorded using the same Moog modular synthesizer used for her groundbreaking "Switched-On Bach" LP in 1968, as well as her previous film scores for "A Clockwork Orange" and "The Shining". Also used was Carlos' then-cutting edge GDS digital synthesizer, as well as the live London Philharmonic Orchestra. The Tron soundtrack, therefore, at the time represented a hybrid of three generations of music production: past (live orchestra), present (analog synthesis), and future (digital synthesis).
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05-03-2025 alle ore 07:20
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