William Friedkin traveled to England to meet with Bernard Herrmann about scoring the film. Herrmann insisted on doing the music in the UK and mailing the tracks to Friedkin. He was swiftly discounted after that. Lalo Schifrin was then appointed but he provided a full orchestral score which was the exact opposite of what William Friedkin had requested. (Friedkin wanted music that would inspire chills and a feeling of dread in the audience.)

Film

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