The main selling point to producers for the use of the Techniscope process was the savings in camera negative; but, another advantage was being able to derive the 2.35:1 aspect ratio while shooting with spherical lenses which avoided the distortion created by anamorphics during certain camera moves and extreme close-ups (such as those used by Sergio Leone). This film, together with Il buono, il brutto, il cattivo (1966) (also directed by Leone and shot by Tonino Delli Colli) are now considered masterpieces in the use of the Techniscope system.
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05-03-2025 alle ore 08:43
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