The camera looks up at Charles Foster Kane and his best friend Jedediah Leland and down at weaker characters like Susan Alexander Kane. This was a technique that Orson Welles borrowed from John Ford who had used it two years previously on Ombre rosse (1939). Welles privately watched Ombre rosse (1939) about 40 times while making this film.
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05-03-2025 alle ore 07:25
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