In an interview in American Cinematographer, Michael Mann said that as far as he was aware, this was one of the first movies to attempt to make a "look" out of digital video, rather than trying to make digital video look like film. This approach meant the movie could be shot in the low-light scenes of urban desolation Mann wanted, because digital reacts much better to low light than film. The approximately twenty percent of the picture that was shot on film was mostly ( according to Mann) the portion set in the "Fever" nightclub, because this is the scene with the brightest lighting, in which digital video does not perform as well.
Scritto da il
05-03-2025 alle ore 08:18