Production designer Russell De Rozario filled his sets with all manner of quirky details, ranging from a colossal Caravaggio reproduction for the office of Richard E. Grant's dodgy businessman, to latex mannequins for the Amsterdam sex dungeon, to a sickly green wallpaper for the safe house where Bryce (Ryan Reynolds) takes Kincaid (Samuel L. Jackson), echoing Oscar Wilde's deathbed retort, "My wallpaper and I are fighting a duel to the death. One or other of us has to go." The funky van of nuns in which Bryce and Kincaid unexpectedly find refuge was another fun design for De Rozario - and as the cherry on top, De Rozario himself took the role of driving the van.

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