Although intended to appear as happening in real time, there is one exception. When Schofield passes out after storming the hideout of the sniper shooting at him from the bridge house, as he confronts the sniper, it's daylight, but when he regains consciousness, it's dark. However, from Schofield's perspective, it happens in real time. This is also the most noticeable cut in the entire film, which is otherwise doctored to look as if it is entirely one shot. Of course the film achieves this through movie magic, but, in fact, contains many exceptionally long and complex shots, some over eight minutes long.

Film

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