The Stan Winston Studio team designed and produced makeup appliances for six stages of deterioration, with the final stages achieved through a hybrid blend of traditional makeup and digital technology. For some shots, green makeup & materials were used, allowing digital artists to add the metallic understructure during post-production. Stan Winston Studio also built a full-sized damaged Terminator stunt puppet for the sequence at the end of the movie in which the T-850 suffers a severe beating by the T-X. The SWS crew also replicated Schwarzenegger's torso and lower body for the sequence in which the Terminator, while driving a pick-up truck, performs an operation on his chest to remove a damaged fuel cell. SWS mechanic Bob Mano and artist Jason Matthews led the "surgery chest" build, complete with mechanical innards, and even dummy legs that fit into a truck mockup shot on stage. Schwarzenegger's real legs were positioned beneath the vehicle seat when the scene was shot. "Once the chest is open," said SWS T3 FX supervisor John Rosengrant, "we see the insides of a working endoskeleton, with electronics, lights, and other doodads." "For The Terminator we pretended to build robots, but actually used stop-motion animation and puppetry and bits of animatronics. In Terminator 2, we advanced to digital animation and a full-standing animatronic with a range of motion -- but we were still pretending to build robots. In Terminator 3, we actually built robots."
Scritto da il 05-03-2025 alle ore 08:13

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