DiCinema

Wanting to bring a different look to this movie, director David Yates chose French cinematographer Bruno Delbonnel, known for his use of stylized color palettes that often featured prominent earthy tones. At first, the movie was extensively color graded, and due to the overly dark tones, Warner Brothers asked Yates and Delbonnel to add more colors to the movie, as they could barely see a thing on-screen. Yates and Delbonnel were hesitant to do this at first, but after retouching some of the scenes, Delbonnel realized that he had overused the grading, and the final product was better. Yates remarked Delbonnel's work on this movie as "The choice of angles, the extreme close-ups, the pacing of the scenes, it's very layered, incredibly rich." It was the first (and ultimately, only) movie in the Harry Potter franchise to be nominated for a Cinematography Oscar.

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