Christopher Nolan focused on the "realism" of every aspect. For many of the cockpit shots, he had a two-seat plane rigged so that the front canopy and cockpit looked like a real Spitfire, but with non-functioning flying controls, and with the actual pilot flying the plane from the rear cockpit so that the actor could play the pilot as the plane actually flew. He also mounted front and rear-facing cameras on a reconditioned Spitfire. In addition, he had camera operators floating in the water with the actors.

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