Cinematographer Burnett Guffey was dismissed during this production, due to artistic clashes with director Arthur Penn (Guffey wanted more light, Penn wanted a more subdued tone). In the meantime, veteran cinematographer Ellsworth Fredericks replaced Guffey, but only for a brief period. Penn, realizing that he'd misjudged Guffey, ultimately reinstated him, and Guffey went on to win a second Oscar for Best Cinematography for his efforts.

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