The kennel dog was required to raise its head and squeal at the camera. In this excerpt from The Winston Effect by Jody Duncan, Stan Winston revealed that time constraints dictated his approach to creating the character: With no time to engineer sophisticated mechanical components, Winston designed the dog-thing essentially as a hand puppet. He started by taking a photograph of himself standing with his arm raised, as if in a puppeteering position, and then drew a dog-thing shape that would fit over the silhouette of his head and arm. "I designed the character to fit the puppeteer," said Winston.
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La cosa (1982)

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