As on most projects, the production designer Adam Stockhausen and his team began by collecting reference images to spark inspiration, before sketching ideas and concept art. For the parts of the film set in the real world, the art department turned these sketches into blueprints mapping out physical sets. But for the scenes set in the Oasis, the sketches went to what Stockhausen calls a "virtual art department" involving visual effects companies Digital Domain and ILM.

Film

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