Commenting on the ending, Jessie Buckley (Harper) has stated: "I think she went to come to terms with the kind of monsters within herself and monsters outside of herself, and to meet them and for them to meet each other. [..] It doesn't follow the horror trope where the damsel in distress slays the dragon, you know? She meets the dragon, and [..] she's come to learn how to live with the thing and learn from the thing." Rory Kinnear (the Men) added: "The film flags up both with trauma and grief, that sense of it never goes, it's finding a way of dealing with it so the pain becomes a redemptive pain or a pain that exists positively in your life. That's a really difficult ambition, particularly when you're in the early throes of it. But the way it also re-announces itself in different forms. There are different triggers - particularly post-trauma - that you cannot be prepared for and that take different guises. I feel like the film chimes with me on that level most, that sense of how to repurpose the awareness that traumatic events do live with you forever, but you are in control of how you can coexist with them."

Film

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