The driving force behind the movie was Martin Scorsese's young daughter Francesca Scorsese, who presented him a copy of the Brian Selznick book as a birthday gift, hoping that he would make a movie out of it someday. It was also her suggestion to have the movie presented in 3-D. Rather than having the 3-D accomplished by post-conversion, Scorsese decided to have it shot in native format, so together with visual effects supervisor Robert Legato and cinematographer Robert Richardson, they spent (before filming) about two weeks at the Cameron/Pace group doing a crash course on filming in that format.
Scritto da il
05-03-2025 alle ore 07:08
Immagini
Nessun dato in archivio
Consiglia
Voto
Nessun dato in archivio
Commenti
Nessun dato in archivio
