A few days after filming was completed, William Shatner returned to Paramount Studios to supervise the film's edit, soundscape creation and score, and integration of optical effects. Editor Peter E. Berger had already assembled rough cuts of various sequences, and with only weeks before the film's scheduled completion, the production team set about the task of salvaging the film's ending through editing. The false god's screen time was reduced, and Ferren's "god blob" effect was replaced with a close-up of the actor's face, along with shots of lightning and smoke. At the time, Shatner felt that the edits "pulled a rabbit out of a hat", solving many of the film's problems.

Film

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