Post-production took almost a year. The film was edited on Avid, with an HD cut also maintained in Final Cut Pro. The 3D was made using Maya, XSI and Lightwave. The 2D composites were made with Shake, Inferno, Fusion and Combustion. The filmmakers prefer Macintosh, but large portions of the movie were made under Linux. Asset management was handled by custom software written in the Panorama development environment, made by Provue. Color management was handled by Truelight software. The film was scanned on a Northlight scanner and was recorded on the Arrilaser. Most of the film was shot at high speed, between 50 and 150fps (normally, film is shot at 24fps). The film was transferred to HD SR tape and quicktime, and HD quicktimes were the basis for the HD preview cuts. The working resolution for the film was 2K, at a working aspect ratio of 2.11:1 and a projected aspect ratio of 2.39:1.
Scritto da il
05-03-2025 alle ore 07:17
Consiglia
Voto
Nessun dato in archivio
Commenti
Nessun dato in archivio
