A longtime fan of Star Trek (1966), sound designer Frank Serafine was invited to create the sound effects for the picture. Given access to state-of-the-art audio equipment, Serafine saw the picture as the chance to modernize outdated motion picture sound techniques with digital technology. Owing to background noise such as camera operation, much of the ambient noise or dialogue captured on set was unusable; it was Serafine's job to create or recreate sounds to mix back into the scenes.

Film

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