Tim Miller and cinematographer Ken Seng wanted the film to look "grittier and less clean and glossy" than other superhero films, and decided to shoot with digital cameras but add film grain in post-production to keep texture in the images. Seng used Super Baltar lenses and Cooke zooms for the origin story timeline, opposed to Panavision primo lenses for the Deadpool scenes which gave them more clarity. Exterior scenes in the film have a consistent overcast look, but location shooting came with "unpredictable" weather. For instance, the production had use of the Georgia Viaduct for two weeks, and "just had to keep shooting, rain or shine, because once our permit expired on the bridge, we were never going to get it back." Seng used more lighting on cloudy days and less on sunny days to keep the look consistent.

Film

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