Director Steven Caple Jr. wanted to slow down the action at certain moments of the matches to underline the physical and emotional blows of this "violent ballet". The chief operator Morgenthau then used the Arriflex Arri Alexa camera, equipped with Panavision lenses, but also the high speed Phantom filming at 1000 frames per second. Many scenes were also shot at 120 frames per second. The boxing scenes have been carefully prepared in advance: the different phases that compose them each have their own style, but blend harmoniously into the color palette associated with this or that atmosphere.
Scritto da il
05-03-2025 alle ore 07:24