As with The New World - Il nuovo mondo (2005), Terrence Malick and Emmanuel Lubezki laid down a series of parameters (a dogma) to be used throughout the film: Shoot in available natural light.Do not underexpose the negative. Keep true blacks.Preserve the latitude of the image.Seek maximum resolution and fine grain.Seek depth with deep focus and stop: "Compose in depth."Shoot in backlight for continuity and depth.Use negative fill to avoid light sandwiches (even sources on both sides)Shoot in crosslight only after dawn or before dusk; never front light.Avoid lens flares.Avoid white and primary colors in frame.Shoot with short focal length, hard lenses.No filters, except Polarizer.In the eye of the hurricane, shoot with steady handheld or Steadicam.Z-axis moves instead of pans and tilts.No zooming.Do some static tripod shots "in midst of our haste"Accept the exception to the dogma (a.k.a Article E) - Article E however does not apply underexposure of the negative.
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05-03-2025 alle ore 07:31
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