Matthew Vaughn wanted the film to resemble the productions of the 1960s, with "very traditional framing, and camera movement when it needs to move, not just throwing it around and whizz-bang", and using the anamorphic format "to create a widescreen experience, is emblematic of '60s movies". Vaughn had to hire five cinematographers - with sole credit being given to John Mathieson, who came halfway through the shoot and did half of the film - and four assistant directors to successfully convey the look he wanted for the film.

Film

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