Todd Phillips originally wanted to shoot the film on 70 mm film cameras partially because he prefers film stock. But Phillips had to abandon the idea due to the tight production budget. He ruled out standard RED digital cameras and 35mm film cameras, too, due to the number of close up shots planned, and to give the film an 'intimate', obtrusive feel. Phillips insistence on using large format cameras led cinematographer Lawrence Sher to investigate using Arri Alexa 65 digital cameras as a compromise and in the end, this is what was eventually used.
Scritto da il
05-03-2025 alle ore 07:30
Consiglia
Voto
Nessun dato in archivio
Commenti
Nessun dato in archivio
