The scene of Hogarth preparing to investigate the noises he's heard was the first work animated on the film. Brad Bird mentions they wanted to play around with what they could do with the lighting in this scene as well as the one following. He had a hard time selling this point to the people at WB. As Bird mentions, in a story reel, this sequence looks dull, mostly due to the black and white nature of the reels. "You can't capture the mystery or the suspense in a storyboard drawing," says Jeffrey Lynch. It wasn't until they showed the execs the sequence in color that they were convinced to leave the sequence in the film.
Scritto da il
05-03-2025 alle ore 08:18