For the viewer of this film "focuses on the implications of the active/looking, passive/looked-at split in terms of sexual difference and the power of the male symbolic encapsulated in the hero .. [so that] erotic involvement with the [the cinema audience 'spectator's own] look boomerangs: the spectator's fascination is revealed as illicit voyeurism as the narrative content enacts the processes and pleasures that he [the spectator] himself is exercising and enjoying. .. hence the spectator [viewing the film] lulled into a false sense of security by the apparent legality of his surrogate (James Stewart ), sees through his look and finds himself [the film viewer] exposed as complicit, caught in the moral ambiguity of looking." Laura Mulvey: 'Visual Pleasure and Narrative Cinema' in 'Screen'; 1975.
Scritto da il 05-03-2025 alle ore 07:32

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