DiCinema

As set decorator Stuart A. Reiss recalled in the book "Pictures at a Revolution", the California sets had to be built on a slant so they could drain in case the animals made a mess. They also had laborers on standby with brooms. All of the furniture had to be hosed down and washed every night. There had to be duplicates of everything, even the walls, in case a big animal backed up into it or kicked it. The sets stank due to animal waste and the gallons of ammonia used to clean it. The birds were tethered to railings, but a few of them escaped and managed to get caught in the netting on the ceiling of the soundstages.

Film

Persone

Nessun dato in archivio

SerieTv

Nessun dato in archivio