Production designer Jean Rabasse's sets, many painstakingly re-created from archival material, synched up with Stéphane Fontaine's cinematography. "Jean created these massive rooms, and then Stéphane framed Natalie in these long shots, so that you feel her loneliness and despair. The White House sometimes feels like a maze she doesn't know how to get out of", producer Mickey Liddell said.

Film

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