Production designer Sean Haworth also worked closely with Tim Miller, who had specific ideas for the sets. The production had to be very specific about which elements of each set were built physically to conserve the budget for visual effects. For the final scrapyard scene, garbage was built to a certain height to be extended with CGI, and a gimbal was used for a tilting section of the yard that had to interact with a lot of digital elements. That final sequence was filmed in a naval yard, and was dressed with scrap metal. Rubber casts of the metal were made for stunts.

Film

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