As cited in "The Making of Tron" by Richard Patterson in the August 1982 issue of American Cinematographer, originally, the cyberspace sequences were going to be entirely animated. However, discussions between the film's VFX supervisor, Richard Taylor, and director Steven Lisberger gave birth to the idea of using live-action photography as the basis for backlit animation in the "computer sequences."
Scritto da il 05-03-2025 alle ore 07:20

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