In order to make the movie feel like the 1970s, Ben Affleck shot on regular 35mm film but using the minimum 2-perforation widescreen frame size as well as further enlarging the Tehran scenes in post-production to further increase their perceived graininess. He also copied camera movements and bustling office scenes from Tutti gli uomini del presidente (1976) for sequences depicting CIA Headquarters; for Los Angeles exteriors, he borrowed from L'assassinio di un allibratore cinese (1976).
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05-03-2025 alle ore 07:46
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