During production, the animators did alternative takes in both 2.35:1 widescreen, and 1.33:1 Academy format, on the assumption that not all theaters booking the film would rush to equip themselves with expensive wide screens and stereophonic sound-playback equipment, and not only that, it was also because they were tired of having their 2.35:1 scope films cropped off for television broadcasts. For the Amazon Prime version with bonus features after the film, a matted 16:9 transfer from the 1.33:1-framed flat negative was played.
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05-03-2025 alle ore 07:35
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