Lalo Schifrin's score, played in a highly uncommon 5/4 time signature earlier popularized by Dave Brubeck's "Take Five" (1959), went on to achieve the dubious distinction of most parodied theme music closely paralleled by the "Ai confini della realtà (1959)"'s eerie leitmotif trill.
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05-03-2025 alle ore 06:57
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