Director of Photography Sean Porter found the on-location car work challenging. "Mahershala and Viggo have very different skin tones, so I had to create a base ambiance that wouldn't change all that much even as they drove in and out of sunlight on tree-lined rural roads." He used SkyPanels wired to a dimmer board to be able to change the exposure and color temperature on the fly. He and gaffer Scott R. Todd hid some LED fixtures in key places in the car, including one under the dash for Viggo Mortensen and some in the back to light Mahershala Ali.

Film

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