Although it was ultimately determined to be fiscally unfeasible to shoot the entire film on 65mm film stock, this has the distinction of being the first feature film in nine years to shoot on 65mm stock for non-visual effects shots. The last film to shoot in 65mm was Kenneth Branagh's Hamlet (1996), which remained the last feature to be entirely shot on 65mm, until Paul Thomas Anderson's The Master (2012) seven years later.

Film

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