According to Oliver Stone, he was "making a movie about sharks, about feeding frenzies. Bob [director of photography Robert Richardson] and I wanted the camera to become a predator. There is no letup until you get to the fixed world of Charlie's father, where the stationary camera gives you a sense of immutable values." The director saw Wall Street as a battle zone and "filmed it as such" including shooting conversations like physical confrontations and in ensemble shots had the camera circle the actors "in a way that makes you feel you're in a pool with sharks."

Film

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