Matthew E. Cunningham was hired as a Senior Illustrator during the research and development stage. Cunningham designed most of the vehicles after the storyboard artist worked with Dougherty. Senior conceptual designer George Hull provided a series of concept paintings of vehicles and monster imagery. Production designer Scott Chambliss managed all the art directors. Artists would sometimes show concept art to the writers, producers, and director however, Chambliss had final say on what would be shown to Dougherty and the producers. After the illustrations were approved, they were delivered for pre-vis. The visual effects used concept art and pre-vis as a reference. Legacy Effects, who worked on Edwards' Godzilla, were brought back to provide additional concept art.
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05-03-2025 alle ore 08:16