Lighting the immense set was a gargantuan task, so director of photography Russell Carpenter had made a list for thousands of set and prop lights, as well as 40 miles of cabling that he thought he would need. However, the studio balked at the tall order, claiming that he wasn't managing his resources effectively, and sent experts of their own to assess the situation. The experts concluded that the initial estimates had been conservative, and that even more lights and cabling were needed.

Film

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