In evoking the movie's murky themes of corruption and betrayal, director Brad Anderson and cinematographer Bjorn Charpentier favored a dark palette for many of their scenes. "Stylistically, we wanted to push the limits of darkness," Charpentier said. "I didn't want to use any false moonlight in the night scenes. The way I see it, nights are black, so I wanted to have black skies."

Film

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