Cinematographer Michael Chapman was brought on when the original DP was fired after the first week of production. Chapman recalled that he didn't want the job, but since the studio had been good to him in the past, he didn't want to say no when Warners approached him. Instead, he proposed a hefty salary that he was sure they would turn down; they accepted. He did not enjoy the shoot and his relationship with director Davis was tempestuous, but in retrospect he was proud of his work on the movie.

Film

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