The browns and dirty whites that constitute much of the color palette for the film were modeled on the cover art of Bob Dylan's second album, "The Freewheelin' Bob Dylan," recorded and photographed in New York during the winter of 1962-1963. Cinematographer Bruno Delbonnel told American Cinematographer Magazine that the Coen brothers instructed him to give them "a slushy New York."

Film

Nessun dato in archivio