Director Michael Radford and cinematographer Roger Deakins originally wanted to shoot this movie in black and white, but the financial backers of the production, Virgin Films, opposed this idea. Instead, Deakins used a film processing technique called bleach bypass to create the distinctive washed-out look of the movie's color visuals. This movie is a rare example of the technique being done on every release print, rather than the inter-negative or inter-positive; as the silver is retained in the print, and the lab is unable to reclaim the silver, so the cost is higher, but the retained silver gives a depth to the projected image. The 2003 DVD release (the only release to restore Dominic Muldowney's full musical score) was mastered from the original negatives (not a release print), and thus inadvertently restored the movie's original color saturation.
Scritto da il 05-03-2025 alle ore 08:59

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