Orson Welles's cinematographer for the film was Gregg Toland, described by Welles as "just then, the number-one cameraman in the world". To Welles's astonishment, Toland visited him at his office and said, "I want you to use me on your picture". He had seen some of the Mercury stage productions (including Caesar) and said he wanted to work with someone who had never made a movie. RKO hired Toland on loan from Samuel Goldwyn Productions in the first week of June 1940.
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