Visual main effects supervisor Nick Tom and Phil Tippett's Tippett Visual Effects Studio in Berkeley, California were enlisted to develop the visual effects for Cloverfield. Because the visual effects were incorporated after filming, cast members were only familiar with early conceptual renderings of the beast and had to react to an unseen creature during their scenes. Artist Neville Page designed the monster, creating a biological rationale for it, though many of his ideas, including an "elongated, articulated external esophagus," would not show up on screen. His central concept was that of an immature creature suffering from "separation anxiety." This recalls real-life circus elephants who get frightened and lash out. The director stated that "there's nothing scarier than something huge that's spooked."
Scritto da postmind il
03-03-2025 alle ore 23:38
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